Histogram as three-dimensional objects of two-dimensional representations
Histogram as connected rectangles that give an account of the continuity of characters. Histogram as a digital image's tonal. Histogram is an unlimited edition collection made out of epoxy resin and pigments. By breaking down a source image into parts and then subsequent reconstruct it into obtained unique three-dimensional objects.

Spraying white polyurethane with a semiautomatic machine Nucleo recreates the effect of random typical snowstorm on the shoes. An artwork with a high degree of uncertainty, typical of the natural phenomenon..
The project will be presented at the following locations:
Via Paullo 12/A Milan|23rd September–15th October
26 Rue Saint Gilles, 75003, Paris|30th September–8th October
477 Broadway 4th Floor, bet. Grand & Broome, New York|10th–20th September
www.marsellgoccia.com

 @ DESIGN MIAMI - Nucleo plays on the presumption to design the future of its objects making them fossils of themselves. As with the trace fossils where we find the imprint of the original item, in the same way the implementation process that creates the object leads to the destruction of its original. The first object of the RESINITE collection is “Resin Fossil Table”, handmade using fiberglass and pigment, the table consists of a single empty block that accurately traces the object from which it takes shape.

Nucleo @ Design Miami / Basel
RESINITE is the new experimental research from studio Nucleo.
Nucleo plays on the presumption to design the future of its objects making them fossils of themselves. The first object of the RESINITE collection is “Resin Table”, handmade using fiberglass and pigment, the table consists of a single empty block that accurately traces the object from which it takes shape.
Limited edition of three, exclusive to Gabrielle Ammann Gallery

“By the wind” is the new Nucleo research. The concept is creating a surface with a high degree of uncertainty as natural phenomenon like a snow storm.
The semi-finished object is coated by a process which makes it similar in surface to a natural object buried under a blanket of snow. During the Milano Fuori Salone 2010 at the temporary Nilufar Gallery in Via Tortona, Nucleo makes an everyday performance. The performance consists in recreate an artificial snow storm every hour.

The exhibition is opened from 20th December 2009 to 18th April, 2010. The art direction, graphic design and exhibition set up will be developed by Nucleo design studio. It’s a challenge that Nucleo welcomes with enthusiasm since it entails dealing with the imposing and impressive early Twentieth century space that is the Salone degli Incanti in Trieste.

Piergiorgio Robino invited Clemens Mueller, a young and highly talented designer from Dortmund (Germany) to contribute, with his own art, to Primitive Collection, the Nucleo’s latest open source project.
Mueller has developed four photographs where white is stratified as a casting resin on his skin. The images interpret the process and energy of Primitive, as if in a human body the muscle and structure could be covered by a thin layer of resin, freezing the expression forever.

Primitive Collection
Primitive as primary geometric figures. Primitive as computer language called the simplest solid objects. Primitive as are defined original, coarse and wild objects.

Ten years afterTerra! Nucleo returns with a self-production.
The project aims to reduce aggregated forms to elementary geometry.
Primitive as primary geometric figures.
Primitive as computer language called the simplest solid objects.
Primitive as, in English, are defined original, coarse and wild objects.
The workmanship makes unique objects: made entirely by hand without the use of presswork and finished with non-toxic resins that reveal signs and imperfections.

Ten years afterTerra! Nucleo returns with a self-production.
The project aims to reduce aggregated forms to elementary geometry.
Primitive as primary geometric figures.
Primitive as computer language called the simplest solid objects.
Primitive as, in English, are defined original, coarse and wild objects.
The workmanship makes unique objects: made entirely by hand without the use of presswork and finished with non-toxic resins that reveal signs and imperfections.

Ten years after Terra! Nucleo returns with a self-production.
An aesthetic, formal and material reflection.
The project aims to fragment and destruct. To reduce aggregated forms to elementary geometry.
Primitive as primary geometric figures.
Primitive as computer language called the simplest solid objects.
Primitive as, in English, are defined original, coarse and wild objects.
Sofas, armchairs, tables and lamps comprise an outstanding environment in space and time.

The project aims to fragment and destruct.
To reduce aggregated forms to elementary geometry.
Primitive as primary geometric figures.
Primitive as computer language called the simplest solid objects.
Primitive as, in English, are defined original, coarse and wild objects.
Nothing more and nothing less than volume, strength and vital consistency of materials.
The workmanship makes unrepeatable and unique objects